Mounting is the process of stretching and reinforcing artwork done on rice paper with a stronger paper backing.It involves getting the entire painting wet with paste and backing it to another paper to create a finished masterpiece.
This process is often a source of confusion to the artist. Clear instructions can be found in Ning Yeh's, "Chinese Brush Painting: an Instructional Guide" in Chapter 20 or Lesson 20 in his "Emmy Series" DVD collection.
P07
The ancient technique of wet mounting a finished masterpiece has been passed down from generation to generation. ...
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PM
OAS has assembled what our patrons have voiced to us as their preferred papers to back their masterpieces with. ...
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0021
Pi, Ma and Dragon Cloud are semi-sized papers. These papers, with their longer fibers, give artists the ability to paint...
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0024
Pi, Ma and Dragon Cloud are semi-sized papers. These papers, with their longer fibers, give artists the ability to pa...
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0031
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P03
18" x 50 feet (600 inches)
Continuous roll of machine-pressed raw rice paper that has bleed resistant qual...
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0032
Shuen Paper (Xuan Paper) is the most popular paper in China among brush painters and calligraphers. It is the most se...
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M1A
weight: 2.7 ounces, yields approx. 1.25 Gallons of paste Strong, smooth cellulose adhesive that dries clear. ...
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M2
This is one of OAS's trade secrets when it comes to applying paste to the back of your masterpieces for wet-mounting. Th...
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