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100 Sheet Packages of Paper We've assembled all of our 100 sheet packages of paper here for those of you  who wish to embark on your own 100 sheet challenge. For traditional subjects like four gentlemen or flowers, birds, and animals in the spontaneous style choose one of our raw papers based on your personal preference for moisture handling and color display. For wet-on-wet techniques including landscape painting choose ma or pi paper. For gong-bi or fineline select glass paper or premium sized shuen. |
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Premium Double Shuen Premium Double Shuen handles excess moisture with grace and also displays colors vividly. It embodies the best of both worlds in a way that we have never seen before in a paper that we've been able to purchase in decent quantities. General Use Premium Double Shuen is an excellent choice for any spontaneous style subject especially florals, animals and figures. It displays colors vividly and has a wonderful bound quality or forgiveness with excess moisture. |
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Double Shuen (SP) Double Shuen (SP) is a two-ply rice paper that shows brilliant color, reveals lively color variation and allows smooth delivery of strokes and color. This paper is OAS's finest for flower painting, in fact, Ning Yeh's Instructional TV Series "Chinese Flower Painting" centers on this very paper. General Use Double Shuen (SP) is also great for other subjects such as plants, animals and low-moisture landscapes. An excellent choice for painting but keep in mind that Double Shuen (SP) does require some attention to moisture control as it bleeds easier than regular Premium Double Shuen or Practice Double Shuen. |
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 Poppy painted on Double Shuen by Ning Yeh |
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Practice Double Shuen (A) Practice Double Shuen (A) is a rice paper that is between Premium Double Shuen and Single Shuen in thickness and sensitivity. It is crispy to the touch and the fiber construction is not as uniform as that of Premium Double Shuen and Single Shuen. General Use Great for all subjects; flowers, birds, plants, animals, low-moisture landscapes, etc. Excellent for practice because of its economical price and sensitivity level (bleeds easier than Premium Double Shuen, can teach you moisture control). |
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Single Shuen (formerly Best Shuen) Single Shuen (formerly Best Shuen), is a fine one-ply rice paper treasured by masters of Chinese brush painting. Single Shuen is the most sensitive of all the Shuen papers – allowing the best color variation to show provided that you learn the skills to control your moisture and apply quick brushstrokes. Without these skills Single Shuen can be frustrating to work with. Too much water, grainy colors, sluggish strokes will all show. Experienced brush painters affectionately call Best Shuen "honest" paper because if you excel it will show your work proudly, if you struggle it will tell the tale. General Use Best for: Flower, Bird, Animal & Figure. Look to the ABC of Chinese Painting by Ning Yeh to learn a fantastic lesson on using the backside of Best Shuen. |
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Pi Paper Pi paper resists bleeding and shows color brilliantly. Masters of the Ling-nan School have favored this paper for years. Pi gives a special texture to lines and allows for smooth color blending. However, this paper requires a careful hand, as it can pil or tear with excessive moisture or pressure. General Use Versatile. Appropriate for landscapes, animals, plants, print-making, paper-craft, mixed-media, etc. |
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Thick Pi Paper Thick Pi paper resists bleeding. Thick Pi gives a special texture to lines and allows for smooth color blending. The additional thickness of this paper makes it durable for washes and other techniques involving moisture. General Use Versatile. Appropriate for landscapes, animals, plants, print-making, paper-craft, mixed-media, mounting etc. |
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Glass Paper Glass paper is custom-made for the Fine-line School of Painting. As the name suggests, Glass paper offers a smooth and consistantly non-absorbent surface on which to paint. This paper handles repetitive shading with consummate ease. General Use Ideal for fine-line style painting. Wonderful for any subject. |
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